Street Photography at Sundance Film Festival 2026

Western mob wife appears to have been the overarching clothing aesthetic at the last Sundance Film Festival in the state of Utah. Luckily for me, the look didn’t reflect the demeanor and most people were excited to get paparazzi’d on Park City’s Main Street. There was a lot of nervous laughter and reverse cat calling during my time roaming the streets.
Although I have lived near Salt Lake City for some time it never crossed my mind to attend the festival. It was always this impenetrable force of chaos that snarled Park City for several weeks in January. But I decided to change that this year, mostly because it will be moving to Colorado in 2027 and I wanted the chance to be able to say, “yeah, I’ve been to Sundance.”
Besides pacing Main Street, I saw two films. The first was Rafael Manuel’s politically brilliant Filipiñana. It follows a day in the life of a tee girl at an opulent country club. The country club is essentially a placeholder for the richness of the Philippines as a nation being reserved for the rich and powerful. With that comes a vivid and horrifying display of social power structures. Many of these social critiques from Mr. Manuel hit rather close to home since there are many Filipinos in my life that understand this dynamic all too well.
The second film I saw was Kogonada’s zi, which was quite a bit more abstract and surreal. We follow a young woman walking through Hong Kong in a perpetual search for herself. And I mean that literally. The Sundance Film Festival’s synopsis for this movie was, “somewhere between sci-fi and supernatural,” which is the only helpful description you’ll get prior to watching it. The film does evoke a variety of emotions that are too dense for my caveman sensibilities.





















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